Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.

Look behind the scenes at the making of Public Enemies (2009)

《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们以说唱为武器展开战略生存竞争更加火热激烈的博弈……

Public Eye is a British television series that ran from 1965 to 1975. It was produced by ABC Television for three series, and Thames Television for a further four series. The series depicted the investigations and cases handled by the unglamorous enquiry agent Frank Marker, an unmarried loner who is in his early forties when the series begins. In the words of an ABC trailer for the third series: "Marker isn't a glamorous detective and he doesn't get glamorous cases—he doesn't even get glamorous girls. What he does get is people who are in trouble—the sort of trouble you can't go to the police about, even if you are innocent."

A notorious dirty cop makes an honest attempt to catch a serial killer who even murdered his own parents.

Two high school debaters in the 1980s ride home together on a school bus after a tournament. He's a star who can speak about anything from nuclear weapons to farm subsidies - but can he tell his teammate how badly he wants to touch her?

An inside look at the prestigious Westminster School.

Chul-soo is the only son of a legendary thief family. He falls in love with Young-hee who is a police officer. Her family is also a police family. To get her parents’ permission to marry, Chul-soo undertakes an exam to become a police officer, but both families work to prevent their marriage.

Kang Chul-jung has been a detective fighting crime for 15 years and is at it again against a mob boss who recruits young kids to do his dirty work.

PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.